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欧洲的某个地方4.0

类型:未知 其它  1948 

主演:Artúr Somlay Miklós Gábor Zsuzsa  

导演:Radványi Géza 

路线三

路线一

剧情简介

1948其它剧情片《欧洲的某个地方》剧情;

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

《欧洲的某个地方》在1948 年发行,锅巴鱼影院www.guobayu.com收集了《欧洲的某个地方》pc网页端在线观看、手机wap免费观看、高清云播放等资源。

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共“5”条评论

《欧洲的某个地方》最新影评

Derwin

刚刚50秒前

开头还以为不错,结果一看才知道上当

Danielle

52分钟前

不 要吐槽那个时代港片剧情简单,只要有温暖的感觉和美好的回忆就够了。喜欢林子祥的大房子,喜欢许绍雄和两个小捣蛋,更喜欢一代玉女周慧敏,这片子明星阵容就值五颗星。同理还喜欢《富贵逼人》系列、《富贵吉祥》《单身贵族》《干妈不易做》《横财三百万》等类型的老港片,都是时尚美丽的香港风情。

南宫颂驶

04小时前

两部连着看完了,分数还是给词曲,唱出了24节气。凭君莫射南来雁,恐有家书寄远人。

Leslie

2024-07-11 06:06:19

女主角完美塑造了一个大写的圣母形象让我这种待业狗看了只想打她娱乐圈哪个特别成功的艺人不比你憋屈一千倍啊(麻痹 的为了梦想和挣钱不择手段最后风光一生这才是真正的正能量好吗) 一星给我喜欢的韩鹏翼老师爱他么么哒

太叔肚秩厥

2024-07-08 05:43:49

电影想讲太多东西,但是却没有太多的时间给你发挥,说实话那段借村民讽刺的因为刻画不足反而看着尴尬。至于致敬钢之炼金术师、新世纪福音战士、七龙珠这些,除了后面致敬元气弹时有些尴尬,其他的都还好。电影名叫作万万没想到,因此电影里藏了几段反转,但是这些反转次数及反转的合理度还是差了点味。说了这么多,其实我还是认为这是部合格的电影,虽说有些短剧拼接的感觉,但整体故事并没有太大的断层感,笑点有些虽然过时了,但我在看的时候挺开心的。人物的塑造也不错,比如慕容白给我的印象还挺深刻的,特效在那个时候也算不错,说是圈钱作还是

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