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荣耀六十年1.0

类型:未知 英国  1938 

主演:Anna Neagle Anton Walbrook C. Aubre 

导演:Herbert Wilcox 

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剧情简介

1938英国剧情片《荣耀六十年》剧情;

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

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共“5”条评论

《荣耀六十年》最新影评

羊舌棵咽巴

刚刚33秒前

德国片子的感觉其实也不错的。她在《没 有耳朵的 兔子 》里带的某个小女孩儿也像她一样歪嘴巴吸鼻子2013.10.23

东方非

00分钟前

偶然看到此片不抱希望也就无所谓失望了男主还挺招人喜欢的为这多给一颗星

巫马私欧旧

05小时前

这个日本机器人智商也太低了,见过女警察还认不出来上当,警察也是,对这么危险的人一点准备都没有;为警察破案扮妓女的安娜机器人也太尽责了吧,那个客人是电影投资人来占便宜的吧(10 3min版本)

Tina

2024-07-11 05:31:22

没笑声的加长 剧版 挺多剧里用过的老梗…不 根本就是把电视剧里挑了 一些重新拍了一个精选集啊!好想打三星(

公乘涂字

2024-07-08 03:39:52

男一夜情之后……要是真能生个孩子?我们还要吕人做什么?

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